Notas bibliograficas |
Christian SORRIANO, Paris
Louis BRUENS, Canada
FINE ART MAGAZINE, USA
Béatrice SZEPERTYSKI - Bordeaux
Jamie Ellin Forbes- USA
GUY ROBERT, Canada
Champlain CHAREST, CAN
Jacques de ROUSSAN, CAN
ROBERT BERNIER, Canada
Paola TREVISAN - Italia
Lise GRONDINES, Canada
Caroline BRUENS, Canada
Alain COUDERT, France
Anne RICHER, Canada
Colette RICHELIEU, Canada
Florentina LUNGU, B.A, M.A.
Laura MARBOT- Bordeaux
Denise Di CANDIDO, Canada
Arévik VARDANYAN, Canada
Léonel JULES, Canada
Frédéric BONET, France
Jacqueline DE TORRES, France
Anne-Marie LAURÈS, France
Louis LEFÈVRE, France
Académie (AIBAIQ), Canada
ACADEMIA DU VERBANO, Italia
Firma del maestro según diverso período.
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Charles Carson, Por Robert Bernier |
Revista Parcours, el informador de las artes - invierno 2004 - vol. 9, n 4. Reportaje de 16 páginas sobre la obra de Charles Carson. Por: Robert Bernier, historiador, art writer and publisher.
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(Versión inglesa solamente)
EXTRACT FROM DE REVIEW OF ART “LE PARCOURS”
Carson... << My work is a spontaneous projection of what I am feeling ; I stand before each new canvas like a writer facing a blank page. >>
Sixteen pages report of Charles Carson … publication Winter 2004,
By : Robert Bernier, historiador y experto en arte.
Charles Carson’s painting is divided into two approaches which are both distinct and complimentary. One was even named Carsonism by some art critics and historians. This approach is not easy to describe, but generally speaking it is composed of an infinite succession of slightly oblique strokes which, on the surface, add maximum energy to our perception of theme and subject, with the whole being animated through subtle transparencies which are quite sensational, creating an impression of depth and colour.
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